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儒家“中和”文化对元代戏曲的影响(PDF)

《温州职业技术学院学报》[ISSN:1006-6977/CN:61-1281/TN]

期数:
2012年01期
页码:
72-75
栏目:
文学·艺术
出版日期:
2012-03-15

文章信息/Info

Title:
Impact of Confucian “Neutralization” Culture on Operas of Yuan Dynasty
作者:
陈功文;
六安职业技术学院人文系;
Author(s):
CHEN Gongwen
Humanities Department,Liu’an Vocational & Technical College,Liu’an,237158,China
关键词:
儒家思想 中和 元代戏曲
Keywords:
Confucianism Neutralization Operas of Yuan Dynasty
分类号:
I207.37
DOI:
-
文献标识码:
A
摘要:
儒家思想中的"中和"思想对于中国传统文化审美思想影响深刻。元代汉族士子,尽管在仕途上不如意,却在文学创作上处于领军地位。他们创作的元代戏曲,在戏曲情感模式、艺术技巧、风格特征等方面深受儒家"中和"文化的影响,并遵循儒家"乐而不淫,哀而不伤"的原则,使某一情感、艺术方法或风格特征不过分外露,从而达到"和顺积中"的理想效果。
Abstract:
"Neutralization" of Confucian thought has a great impact on the traditional Chinese cultural aesthetics.Scholars of Han in Yuan Dynasty,despite the disappointments in the career,holds a leading position in the literature.Operas made by them are affected deeply by Confucian "Neutralization" culture in their emotional patterns,artistic skills,style etc.and conforms to Confucian "Joyous but not indecent,mournful but not distressing" so that a particular emotion,artistic methods or style are not over extroverted,achieving the desired effect of "He Shun Ji Zhong".

参考文献/References

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备注/Memo

备注/Memo:
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更新日期/Last Update: 2012-01-30