论清代江心屿诗歌的景观书写
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温州科技职业学院

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2023年温州哲学社会科学规划年度重点课题(23WSK012Z)


Landscape Writing of Jiangxinyu Poems in Qing Dynasty
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1.Wenzhou Vocational College of Science &2.Technology

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    摘要:

    江心屿作为温州代表性的文学景观,其价值意义是在历代文人的书写中逐步生成的。清代江心屿诗歌代表了江心屿景观书写的顶峰,完整体现了江心屿这一著名文学景观在封建社会里的最终生成形态和多重意义价值。受江心屿特殊的地理位置、独特的人文历史和浓郁的宗教氛围影响,清代江心屿诗歌中主要呈现了实景书写和虚景书写两种书写模式。实景书写主要包括以江峰塔寺为主的全景书写和以日升月落为主的延时书写,虚景书写主要包括以历史人物为代表的追忆书写和以宗教传说为代表的想象书写。景观书写本质上是诗人主体与地理景观客体的互动形式,清代江心屿诗歌中的景观书写,恰好展现了在一处优秀的文学景观中,人类活动和地理景观是如何深度交融及相互影响的。

    Abstract:

    As a representative literary landscape of Wenzhou, the value and significance of Jiangxinyu has been gradually generated in the writings of literati of past dynasties. Jiangxinyu poems in Qing Dynasty represented the peak of Jiangxinyu landscape writing and fully reflected the final formation and multiple significance value of Jiangxinyu as a famous literary landscape in feudal society.Under the influence of Jiangxinyu"s special geographical location, unique cultural history and strong religious atmosphere, Jiangxinyu poems in the Qing Dynasty mainly presented two writing modes: real scene writing and virtual scene writing. The real scene writing mainly includes the panoramic writing of rivers, peaks, pagodas and temples and the delayed writing of sunrise and lunar setting.Virtual scene writing mainly includes recollection writing represented by historical figures and imaginative writing represented by religious legends.Landscape writing is essentially an interactive form between the poet"s subject and the geographical landscape object. The landscape writing in Jiangxinyu poems in Qing Dynasty just shows how human activities and geographical landscape blend deeply and influence each other in an excellent literary landscape.

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  • 收稿日期:2023-07-18
  • 最后修改日期:2023-07-18
  • 录用日期:2024-02-27
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